Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.

Kali, Shankar and Tithi are the motherless children of a priest. Their father gets murdered by a local don and the trio reunites years later to avenge his death.

Composed of three episodes—titled Kali, Shakti, and Devi—and linked within a narrative framework, it tells the story of the Taylor-Eriksson group, its members, and their extreme practices in search of awareness and liberation from karma. These practices, spiraling into violence and sex, ultimately turn into real nightmares.

A coveted idol of Goddess Kali, worth crores, gets stolen from a temple on the outskirts of Kolkata. While several parties, and the police, are looking for the idol, will it end up in the right place?

A washed up, manipulative, prize fighter, SENSAI Houston, blackmails a B-List producer to fully finance his own martial arts talk show.

In a acting school in Berlin. The mysterious Elia organizes a course for improving the acting talents, which he calls the "Kali-Process". This technique he learned mid-80s by the infamous "Taylor-Eriksson-Group" in a camp in India. 3 students attend the course and be picked up by Elia on a dangerous journey in their innermost self, which develops into a dangerous trip for everyone involved. Thematically related precursor to "Tears of Kali"(2004).

Mertua Ngeri Kali is a comedy drama that tells the story of Andara, a soap opera writer, who clashes with her mother-in-law, Donda, a socialite widow who is fiercely protective of her son, Raja. Tensions arise as they move in together, but an unexpected event forces them to choose between maintaining their egos or uniting for the sake of their grandson.

An amalgam of documentary and cinema verité, this movie outlines the life, loves and music of Rolling Stones bass guitarist Bill Wyman. After leaving the Stones in 1981, Wyman tried to establish his own separate musical identity, conveyed here through a stream of hallucinatory images and animated sequences.